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Krister Axel
September 9, 2018
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3
It strikes a tone of casual elegance that feels very urban, very premeditated, and very well-executed.
Krister Axel
September 9, 2018
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3
It’s a recipe that has been used before by The Lumineers, but this feels less surgical, and more of a party; the synergy here between elements is undeniable.
Krister Axel
September 8, 2018
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3
There is something about the interplay here between piano, drums, and electric bass there that to me is pure magic.
Krister Axel
September 8, 2018
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3
Touches on that whispered world between love and friendship, with a hint of pain in the lead vocal, and a beautifully-delivered duet.
Krister Axel
September 8, 2018
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3
Complete with dirty guitar and swirling percussion, the energy gives a sense of immediacy, and a druidic affect.
Krister Axel
September 8, 2018
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3
And by the end, we have the realization: you ain’t never going to love me. The real question is why she was ever standing there, in the first place. photo credit: Jordan Laessig
Krister Axel
September 8, 2018
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2
The Burney Sisters give us a brazen vocal delivery and a satisfying hook, backed by a roots rhythm section along with some banjo and acoustic guitar.
Krister Axel
September 8, 2018
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3
The piano, acoustic guitar, and tight-brush drum sound, along with the lyrical persona, could all be from 1970s Laurel Canyon, like a co-write between Carole King and Lowell George.
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