The folk and acoustic roots are strong here, but with a big mix and a layered chorus, creating easy power-pop comparisons to the likes of Vance Joy and The Lumineers.

Dana Williams embellishes a few jazz-flavored chords and a simple story to assemble this engaging love song.

A lurching beat like footsteps in the hallway, threading together the inspiration, the reflection, and the subsequent catharsis as a sun emerges from clouds.

The single piano notes, and the terrifically nuanced string section; the bells at the start of every bar: this song is perfectly manicured to sound like a lovers’ happy parade.

With a strong modern blues feeling to this coupled with elements of hip-hop along the lines of a Gary Clark Jr, the energy level is high and the amp volume is at 11.

Its a bit raw, its on fire, but also ice-cold, and as such personifies a certain duality: to wit, the modern listener.

Its a shot right down the alt-rock center; a peacock walk right through the front door.

You can hear echoes of something like a Fleetwood Mac in the happy marriage of rock flavors with the soul of a country ballad and the precise use of electric guitar to adorn the mix with blues licks.