That moment when you set your troubles aside.

Kids were excited, lots of parents got dressed up, and the streets were buzzing with talk of Hufflepuffs and games of Quidditch.

An upbeat, single-minded commitment to being weird for its own sake, and a fitting tribute to the ultimate icon of personal style.

A stripped-down version of Party Favors hit from earlier this year rings the bell that sounds true for so many: why does it feel like this world wasnt made for me?

In an age of fake news and infinite echo chambers, Parker delivers a simple mechanism for self-adjustment: authentic is the new cool.

The Cézannes of the world bloom late not as a result of some defect in character, or distraction, or lack of ambition, but because the kind of creativity that proceeds through trial and error necessarily takes a long time to come to fruition (Malcom Gladwell, The New Yorker, October 13, 2008).

Leah Capelle shares her capacity to strip naked and engage the cold grip of icy waters in a stubborn search for personal truth.

An acoustic lament on the difficulties of self-acceptance, which was inspired by the Japanese art of kintsugi.